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Reviews,

On Memory, Patriarchy, and Gender in Siri Hustvedt’s Fiction

BY Rachel Duboff

If fiction is “the lie through which we tell the truth,” as Albert Camus said, then Siri Hustvedt’s fiction relays the truth that memory is more than just unreliable—it’s invented.

Interviews,

A Mixtape of Ghosts: Karen Russell in Conversation with Kevin Brockmeier

BY Karen Russell

What the book is most comprehensively about, it seems to me, is human being in conflict with itself—but those words, “human being,” already have a distinct meaning, and it’s separate from what I’m trying to suggest, which is that there’s a part of us that addresses itself to being and a part of us that addresses itself to nonbeing, and in many ways the book is about the tension, the back-and-forth, between those two.

Fiction,

Two Ghost Variations

BY Kevin Brockmeier

Every chest of drawers, every sneaker tread, every cigarette lighter—everything with the suggestion of two eyes and a mouth—hosted a secret visitor. Those visitors were the ghosts of the dead, who had no features of their own and therefore borrowed the faces of pot lids and wood knots to peer out at the living.

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