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Poetry,

Frost at Christ Church Meadow

BY Christopher Hewitt

The cow pasture flooded and froze.
Over its milk glass rink, two crows
drift to a pine,

catch like origami paper. Leafless
oak veins steam: auras lift
an opaline

Interviews,

Reviving the Beauty of a Nightmare: An Interview with Carmen Maria Machado

BY Emily Ellison

But it’s okay to wait, to try to find the right language and to find the right word. Because it isn’t enough to just transfer the pain of your body to the page: it has to be interesting, it has to beautiful, it has to do something for the audience or else it’s just secondhand pain.

Reviews,

Speaking With Severed Tongues: On “In the Dream House”

BY Taylor Kirby

Machado is so profoundly in control of silence that she has taught it its own language.

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