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Interviews,

The Power of Voice in Poetry: A Conversation with Adrian Matejka

BY Nour Al Ghraowi

When a poem works, you feel it. You don’t feel it in your brain. You feel it in your shoulder blades and in your chest. Sometimes you feel along your arms because there are goosebumps. That’s where the poem settles itself—entirely in the body. It’s going back home. The poem is coming from the body and going back to it.

Field Notes, Staff Picks,

Porter House Reads: Quarantine Edition

BY Field Notes Editor

Caught up in the everyday dread and surreality of life in quarantine, it can be hard to remember the beauty of our past lives or the small joys the world has to offer in the strangest, most idiosyncratic ways.

Arts & Culture, Field Notes,

An Exercise from Matt Bell’s Writing Exercise Newsletter

BY Ben McCormick

In the name of productivity during social distancing, Porter House Review is republishing Matt Bell’s first exercise from his Writing Exercise Newsletter, which is based on a sentence from Carmen Maria Machado’s story, “The Husband Stitch.”

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