Interviews

Language, then, is sanctified yet secular—capable of building and breaking, liberating and limiting in equal measure.

There was once a girl who overwatered her plants because she didn’t know when to stop giving.

I should not be writing, or creating, with the audience’s comfort or expectation in mind.

To convey human fallibility against the backdrop of a system where we work to survive and strive to actualize, to become the best version of ourselves. And how even learning to live with ourselves is a developing relationship.

Every narrative is in an invitation to daydream, and as author, I’m trying to construct and direct those daydreams, but the meaning you’re making, and the images you’re forming in my mind, all of that is beyond my control.

You have to convince the reader this show is worth working on, and your prose is just as responsible for that as your characters and plot.

At some point I decided that I was going to drop genre altogether and just follow the story. I would write and follow it.

I am much better in the stage of doing than I am in the stage of pondering.