with something that isn’t pretending
to be something else. Salome, Salome, & all that
loneliness. I’m sorry—”
From “The Myth of Lovers on the Dirty Side of the Road” by Lizzy Ke Polishan

Field Notes,
Sometimes I find a half-scrawled story like the one above months later, and forget where I was going with it. I no longer connect with the character, so it is abandoned to the center console or the glovebox.

Field Notes,
As I started college—and as my frontal lobe began cooking on high—I pulled Why Clichés off of Amazon for almost two years. I was horrified at the idea that I had undertaken a project relying on expertise at such an early age. I ended up privatizing the book after rereading it and being repulsed by how mean it is:

Field Notes,
Either way, I’ve always considered myself a Texan. I like a good steak, my dad worked on his family’s ranch in Juarez and knew how to butcher any kind of livestock, and I proudly stood to chant the Texas state pledge every school day from 3rd grade into my senior year. On the other hand, I never learned “Deep in the Heart of Texas.” What was the point when I lived on the thumb?